
Iznevjereni čuvari Preradovićeve?
Bivši potpredsjednik vlade svjedoči kako su obnovitelji Privrednika u ratna vremena čuvali srpsku imovinu u Preradovićevoj u Zagrebu, kao i o svom angažmanu na povratu te imovine
Bivši potpredsjednik vlade svjedoči kako su obnovitelji Privrednika u ratna vremena čuvali srpsku imovinu u Preradovićevoj u Zagrebu, kao i o svom angažmanu na povratu te imovine
Link sa Jugoslavijom, ergo sa Srbima, zajednički je „krimen“ praktično svim istorijskim ličnostima koje su devedesetih u Zagrebu ostale bez „svojih“ ulica. Usprkos ustavnom pozivanju na kontinuitet sa odlukama ZAVNOH-a, u praksi su očito promovisane neke druge vrijednosti
Juraj Bahnik, predsjednik Koordinacije vijeća i predstavnika nacionalnih manjina Grada Zagreba: Želimo da Grad Zagreb bude naš partner i podrška u rješavanju manjinskih problema i na nacionalnom nivou
Navršava se stotinu godina od rođenja velikana hrvatskog filma, Vatroslava Mimice, režisera koji je ekranizirao „Banović Strahinju“
Prvi znaci pada popularnosti zagrebačkih kina uočeni su već u 80-ima s pojavom prvih videoteka, a počela su propadati i gasiti se u 90-ima, jedan za drugim, tiho ali neumitno. Do danas su u Zagrebu zatvorena praktički sva kina koja su bila dio naše mladosti, a bilo ih je u to doba oko trideset
Svjetski poznati geolog i autor knjige „Moj put u nepoznato – od Bukovice do svemira”
Ako govorimo o duši nekog grada, onda ne pitamo statistiku i brojke, nego baš one koji njegovim ulicama svakodnevno nose svoje brige, radosti, životne prekretnice i odluke. One koji ga vole tajno, „bez pisama i razglednica“, podrazumijevano i tiho, ali i one koji iz njega razglednice upravo pišu…
U vrijeme kad izlaze prva dva toma Pekićevih „Pisama iz tuđine“, a oba izlaze u Zagrebu, Beograd i Zagreb, odnosno Srbija i Hrvatska, jedno drugom nikako nisu tuđina. Istorija se, međutim, suprostavila Pekićevoj tendenciji. Kad 1991. bude objavljivao „Poslednja pisma iz tuđine“, zagrebački izdavači, usprkos svemu, neće biti u igri. Knjigu će objaviti beogradska „Dereta“
Kafkin „Proces“ Orson Vels snimao je na nekoliko lokacija u Zagrebu – osim čuvenih scena na Velesajmu, Vels je najveći broj scena snimio u dvorani „Kola“ (današnji „Hrvatski sokol“), zatim ispred Katedrale te ispred zgrade Narodnog sveučilišta „Moša Pijade“ u ulici Proleterskih brigada (danas Vukovarska)
U vrijeme kad se, kako se zna reći, „nije gledalo ko je ko“, među najpoznatijim imenima na koje je padala „svjetlost pozornice“, karijeru je gradio i znatan broj manje primijećenih, ali za povijest ovdašnje kulture važnih glumaca. Glumaca koje je vezalo i nešto izvan dramske umjetnosti…
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We firmly believe that the internet should be available and accessible to anyone, and are committed to providing a website that is accessible to the widest possible audience, regardless of circumstance and ability.
To fulfill this, we aim to adhere as strictly as possible to the World Wide Web Consortium’s (W3C) Web Content Accessibility Guidelines 2.1 (WCAG 2.1) at the AA level. These guidelines explain how to make web content accessible to people with a wide array of disabilities. Complying with those guidelines helps us ensure that the website is accessible to all people: blind people, people with motor impairments, visual impairment, cognitive disabilities, and more.
This website utilizes various technologies that are meant to make it as accessible as possible at all times. We utilize an accessibility interface that allows persons with specific disabilities to adjust the website’s UI (user interface) and design it to their personal needs.
Additionally, the website utilizes an AI-based application that runs in the background and optimizes its accessibility level constantly. This application remediates the website’s HTML, adapts Its functionality and behavior for screen-readers used by the blind users, and for keyboard functions used by individuals with motor impairments.
If you’ve found a malfunction or have ideas for improvement, we’ll be happy to hear from you. You can reach out to the website’s operators by using the following email
Our website implements the ARIA attributes (Accessible Rich Internet Applications) technique, alongside various different behavioral changes, to ensure blind users visiting with screen-readers are able to read, comprehend, and enjoy the website’s functions. As soon as a user with a screen-reader enters your site, they immediately receive a prompt to enter the Screen-Reader Profile so they can browse and operate your site effectively. Here’s how our website covers some of the most important screen-reader requirements, alongside console screenshots of code examples:
Screen-reader optimization: we run a background process that learns the website’s components from top to bottom, to ensure ongoing compliance even when updating the website. In this process, we provide screen-readers with meaningful data using the ARIA set of attributes. For example, we provide accurate form labels; descriptions for actionable icons (social media icons, search icons, cart icons, etc.); validation guidance for form inputs; element roles such as buttons, menus, modal dialogues (popups), and others. Additionally, the background process scans all of the website’s images and provides an accurate and meaningful image-object-recognition-based description as an ALT (alternate text) tag for images that are not described. It will also extract texts that are embedded within the image, using an OCR (optical character recognition) technology. To turn on screen-reader adjustments at any time, users need only to press the Alt+1 keyboard combination. Screen-reader users also get automatic announcements to turn the Screen-reader mode on as soon as they enter the website.
These adjustments are compatible with all popular screen readers, including JAWS and NVDA.
Keyboard navigation optimization: The background process also adjusts the website’s HTML, and adds various behaviors using JavaScript code to make the website operable by the keyboard. This includes the ability to navigate the website using the Tab and Shift+Tab keys, operate dropdowns with the arrow keys, close them with Esc, trigger buttons and links using the Enter key, navigate between radio and checkbox elements using the arrow keys, and fill them in with the Spacebar or Enter key.Additionally, keyboard users will find quick-navigation and content-skip menus, available at any time by clicking Alt+1, or as the first elements of the site while navigating with the keyboard. The background process also handles triggered popups by moving the keyboard focus towards them as soon as they appear, and not allow the focus drift outside of it.
Users can also use shortcuts such as “M” (menus), “H” (headings), “F” (forms), “B” (buttons), and “G” (graphics) to jump to specific elements.
We aim to support the widest array of browsers and assistive technologies as possible, so our users can choose the best fitting tools for them, with as few limitations as possible. Therefore, we have worked very hard to be able to support all major systems that comprise over 95% of the user market share including Google Chrome, Mozilla Firefox, Apple Safari, Opera and Microsoft Edge, JAWS and NVDA (screen readers), both for Windows and for MAC users.
Despite our very best efforts to allow anybody to adjust the website to their needs, there may still be pages or sections that are not fully accessible, are in the process of becoming accessible, or are lacking an adequate technological solution to make them accessible. Still, we are continually improving our accessibility, adding, updating and improving its options and features, and developing and adopting new technologies. All this is meant to reach the optimal level of accessibility, following technological advancements. For any assistance, please reach out to