Antropolog s Etnografskog instituta u Beogradu: Mit sam po sebi ne može biti loš, inače ne bi bio to što jeste. Loše je naše shvatanje mita ili njegova zloupotreba u agitovanju za problematične ciljeve ili politike. Uvek moramo posmatrati ko i zašto pripoveda mit, kakav je to ritual uz koji se on nalazi i zašto se upotrebljava
Profesor Šumarskog fakulteta u Beogradu
U XX vijeku, u vrijeme Jugoslavije, ovaj teatar u Budimpešti se nazivao „Srpsko – hrvatsko pozorište-kazalište“, a onda je krajem 80-ih zbog turbulentnih zbivanja i najave rata na ovim prostorima, obustavio rad. Nakon nekoliko godina pozorište je obnovljeno i danas djeluje pod imenom Srpsko pozorište u Mađarskoj.
Naučna saradnica Etnografskog instituta SANU: I “ćutanje” i “mučanje” određeno je primarno strahom. Leksikalizacija ovih različitih vrsta ćutanja možda svedoči o kontinuiranom istorijskom iskustvu potrebe za ćutanjem, uslovljenom potrebom za preživljavanjem. Nadam se da će se to promeniti, posebno imajući u vidu da se glagol “mučati” sve ređe koristi
Ovo je prilika celoj umetničkoj profesiji da se na važnom mestu uključi svojim doprinosom u temeljnom izučavanju društva i njegovih tokova, rekao je Dejan Mijač koji je uz Miodraga Tabačkog, Mrđana Bajića i Slobodana Šijana primljen u SANU
Mladi kazališni redatelj bavi se traumatičnim događajima koji se tiču Evrope i Balkana
Dojam kojem se mnogi ne mogu oteti je brutalna i bešćutna atmosfera koja je od početka stvorena oko Đokovića i koja daleko više govori o “vrlom novom svijetu” u kojem živimo nego o slučaju samom
Pročula se kao hrabra i neustrašiva ratnica u borbama protiv Turaka u srpskim ustancima u prvim decenijama 19. vijeka, u kojima je čak četiri puta ranjena
Danas Prosvjeta ima svojih 50-ak pododbora, respektabilnu biblioteku u centru Zagreba i prostore za kulturne aktivnosti, u kojima se svake godine održavaju i Dani srpske kulture. Društvo danas ima opus od nekoliko desetaka objavljenih knjiga u vlastitom izdanju, kao i respektabilni časopis Prosvjeta
Dugogodišnji glumac i kroničar Ateljea 212, teatra koji slavi 65 godina postojanja
Izneseni stavovi i mišljenja samo su autorova i ne odražavaju nužno službena stajališta Europske unije ili Europske komisije, kao ni stajališta Agencije za elektroničke medije ni Ministarstva kulture i medija. Europska unija i Europska komisija, kao ni Agencija za elektroničke medije ni Ministarstvo kulture i medija ne mogu se smatrati odgovornima za njih.
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