Stvarne „minhauzene“ treba tražiti upravo u vlastitoj okolini, jer svatko od nas poznaje barem jednog. Na ovo nas nakon punih 20 godina izvođenja i dalje podsjeća monodrama „Minhauzen“ redatelja Borisa Kovačevića, u izvedbi Vilija Matule
„Dalilend“ nije primarno film o Dalijevoj ličnosti, niti o Dalijevoj umjetnosti, već film o Daliju i Gali, o njihovoj interakciji i međusobnom nadopunjavanju
„Sedmi pečat“ Ingmara Bergmana nije film o srednjem vijeku, već apel za pronalaženjem smisla života uvijen u povijesni film
Srpska književnost, ako išta, pa nek se ponovi milioniti put, oduvijek je i istinski bila i ostala, isluženim terminom, policentrična. Njene najvažnije stvari nastale su zapravo izvan matice, a sam književni kanon neuporedivo je brojniji onima koji su stvarali izvan, jezikom deklaracije rečeno, „nacije-države“
Dobru pjesmu stvara dobar čitatelj, a ne dobar pjesnik
Antijugoslovenski revizionizam Goran je među Hrvatima simbolički „preživio“ zato jer su ga ubili četnici, a među Srbima zbog „Jame“. Ali Goran kao Goran, cijela priča o njemu, i biografija i bibliografija, ne trebaju danas nikom ili skoro nikom. Zato je reflektor na njega mogao biti vraćen jedino iz „katakombi“, iz manjinske pozicije Srba u Hrvatskoj
Pri kraju radnog puta postaje rektor sveučilišta u Harkovu (gdje će dočekati i kraj života) i „statalni sovjetnik“, čovjek od državnog povjerenja. Ruski car mu poklanja ogroman posjed u tadašnoj Malorusiji, u guberniji čije bismo ime do prije godinu dana primili vjerojatno ravnodušno
Predstava „Tesla“ u svojoj se formi uglavnom bazira na spajanju velikog broja naoko oprečnih polutki, baš kao što je to svojim mišljenjem i djelovanjem činio i sam Nikola Tesla
Ove godine se navršilo pedeset godina otkad je u Ateljeu 212 počela da se igra predstava „Maratonci trče počasni krug“ po tekstu Dušana Kovačevića, mladića koji će tek kasnije te iste godine diplomirati dramaturgiju na Fakultetu dramskih umetnosti. Otad se, evo, razvija osebujan opus jednog od dva-tri najveća srpska i južnoslovenska dramska pisca
Pisac, scenarista i dramaturg, akademik Dragoslav Mihailović preminuo je u Beogradu u 93. godini
Izneseni stavovi i mišljenja samo su autorova i ne odražavaju nužno službena stajališta Europske unije ili Europske komisije, kao ni stajališta Agencije za elektroničke medije ni Ministarstva kulture i medija. Europska unija i Europska komisija, kao ni Agencija za elektroničke medije ni Ministarstvo kulture i medija ne mogu se smatrati odgovornima za njih.
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